The movies you mention above are actually sold together when you purchase the DVD. They are 2 disk packs, the first being the DVD version, the second being the WMV HD disk.
I have most of these movies, and will discuss two of them, “Step Into Liquid”, and “Standing in the shadows of MoTown”.
Before we start, I will give you the punch line. The DVD contains a lot more detail than the WMV HD version.
I have a very special entertainment PC. On the computer side, it has NVidia 6600GT for video, Creative Soundblaster 4 Pro audio, but the DVD video side is outta control. I use a Sigma XCard which delivers a digital 720 x 480 DVD image to the H3D Holo3DGraph card, which has a Faroudja 2300 chip for all the exciting video stuff, and then I use the RGBHV output on the H3D card to deliver a perfect image matched to the result ion of the digital display.
So I have two video outputs, one using VGA, the other using the H3D RGBHV (which is VGA by any other name), and I can bring them together through a simple 2-into-1 box.
I also have 2 DVD players in this unit. So I can queue up both the WMV HD and DVD version of these movies so they are both playing at the same time in sync, and toggle the 2 into 1 video box between them to instantly switch from WMV-HD to DVD and back.
I used a 720P (1280 x 720) theater projector for my output, and used the native 720P from the WMV HD so that the resolution would match perfectly. The screen was 120 inches.
The color matching was perfect. If anything, the Faroudja DVD gave slightly better color, but in Step into Liquid, the color of the water was identical for both.
The end result was unbelievable. The DVD had more detail than the WMV HD. Both movies have lots of wrinkly old people: they are both histories of a genre, one surfing, the other MoTown, and in both movies, the WMV HD noise reduction removed all the wrinkles, and fine details like fly-away hair, whiskers, even freckles on the surfing kids.
The reality experience was much better on the DVD than the WMV HD version. Film naturally has some grain, which doesn’t interfere with DVD transfer, but HD transfer requires a lot more noise reduction decisions to be made, and they are usually not made well.
Sound? Well, the sound tracks for both were Dolby Digital, and while DTS would have been better, the audio is riveting, particularly for those HUGE waves in Step into Liquid. You GOTTA see that movie on a bog screen. You will simply stop breathing at times.
So in summary, I am not preaching DVD forever, just that i am watching these guys very closely, and using the best technology to render DVD’s in the meanwhile.
Of course, the studios want to move to new, proprietary formats as fast as possible, because people are buying these 2 TB disk servers, and moving their DVD collections to a hard disk archive. They can see the DVD market going the way of the CD market, which is shrinking, shrinking, and they want to jump out of the DVD format.
BUT HD ain’t quite there yet. If you are a real enthusiast, spend up on an HD-DVD player and a decent projector. You will like the show. But if you want to watch EVERYTHING (that is, the existing library of 50,000 DVD’s) in real quality, get Faroudja correction, done right at the DVD. When it is done at the projector, the signal is already analog and messy, and needs to be re-digitized for correction, and the results are inferior.
Peace.